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分析日本手機音樂遊戲偶像夢幻祭玩家－以台灣為例

為了解決DQ200 vs DQ381的問題，作者廖尹萱 這樣論述：

Recently, smartphone rhythm games have emerged and grown into a major market with a total number of $93.2 billion revenue, which hold 52% of the total global games market revenue. Especially the ones containing characters, virtual novels and simulation content within rhythm games; these have been e

xpanding within the gaming market. Furthermore, many Japanese games have entered Taiwan and presented a great success. However, although there are several papers studying role-playing games (RPG) and First-Person Shooter games, the rhythm game market has not been explored in-depth. Moreover, the cha

racteristics of rhythm game players haven’t been fully researched. Hence, this study is aimed at exploring the players of rhythm games, to understand the relations between different factors and game satisfaction with Japanese rhythm games in Taiwan. The research focuses on a Japanese smartphone game

in the Taiwan gaming market called Ensemble Stars!! Music. There is also a Chinese version operated by a Taiwan distributor. A structural equation was created to show the relation and hypotheses, and a quantitative online survey was designed, and the participants are Taiwanese of both genders.This

paper aims to understand which factors effect game satisfaction with Japanese rhythm games in Taiwan, hoping to give a reference for the Japanese rhythm games companies who seek to enter the Taiwan gaming market.

國家文化與政治制度對供應鏈風險影響之研究

為了解決DQ200 vs DQ381的問題，作者阮禹祺 這樣論述：

在遭遇了因國家文化與政治制度的不同對供應鏈產生重大影響的事件之後，企業和學術界對此二構面與供應鏈風險的相關性產生了高度的關注，但在相關研究仍為少數。了解此二構面的相互影響可以幫助企業在進入新市場時規避潛在風險，從而為企業帶來競爭優勢。因此，本研究的即探討國家文化、政治制度與供應鏈風險之間的關係，及國家文化和政治制度將如何影響供應鏈風險。本研究以近年的供應鏈風險之事件為研究對象，探討其在不同國家文化及政治制度下對供應鏈風險之事件產生之影響，並以內容分析法、主題分析法和歸納法加以分析，結果得知，國家文化對政治制度構面在同一事件中，導致供應鏈風險的差異。本研究還為企業在當今開發全球供應鏈方面提出了

一些建議。