Spectacles meaning的問題，透過圖書和論文來找解法和答案更準確安心。 我們找到下列各種有用的問答集和懶人包

Illegible Will: Coercive Spectacles of Labor in South Africa and the Diaspora

為了解決Spectacles meaning的問題，作者Young, Hershini Bhana 這樣論述：

In Illegible Will Hershini Bhana Young engages with the archive of South African and black diasporic performance to examine the absence of black women's will from that archive. Young argues for that will's illegibility, given the paucity of materials outlining the agency of black historical subjects

. Drawing on court documents, novels, photographs, historical records, websites, and descriptions of music and dance, Young shows how black will can be conjured through critical imaginings done in concert with historical research. She critically imagines the will of familiar subjects such as Sarah B

aartman and that of obscure figures such as the eighteenth-century slave Tryntjie of Madagascar, who was executed in 1713 for attempting to poison her mistress. She also investigates the presence of will in contemporary expressive culture, such as the Miss Landmine Angola beauty pageant, placing it

in the long genealogy of the freak show. In these capacious case studies Young situates South African performance within African diasporic circuits of meaning throughout Africa, North America, and South Asia, demonstrating how performative engagement with archival absence can locate that which was n

ever recorded. Hershini Bhana Young is Associate Professor of English at the University at Buffalo, State University of New York, and the author of Haunting Capital: Memory, Text, and the Black Diasporic Body.

Illegible Will: Coercive Spectacles of Labor in South Africa and the Diaspora

為了解決Spectacles meaning的問題，作者Young, Hershini Bhana 這樣論述：

In Illegible Will Hershini Bhana Young engages with the archive of South African and black diasporic performance to examine the absence of black women's will from that archive. Young argues for that will's illegibility, given the paucity of materials outlining the agency of black historical subjects

. Drawing on court documents, novels, photographs, historical records, websites, and descriptions of music and dance, Young shows how black will can be conjured through critical imaginings done in concert with historical research. She critically imagines the will of familiar subjects such as Sarah B

aartman and that of obscure figures such as the eighteenth-century slave Tryntjie of Madagascar, who was executed in 1713 for attempting to poison her mistress. She also investigates the presence of will in contemporary expressive culture, such as the Miss Landmine Angola beauty pageant, placing it

in the long genealogy of the freak show. In these capacious case studies Young situates South African performance within African diasporic circuits of meaning throughout Africa, North America, and South Asia, demonstrating how performative engagement with archival absence can locate that which was n

ever recorded. Hershini Bhana Young is Associate Professor of English at the University at Buffalo, State University of New York, and the author of Haunting Capital: Memory, Text, and the Black Diasporic Body.

恐懼的假象：馬克白中的象徵、邪惡、與苦難

為了解決Spectacles meaning的問題，作者呂信醇 這樣論述：

本論文以探索隱藏於馬克白恐懼背後的真相為重點，揭示一般評論家較為忽略的部分，那就是莎士比亞透過馬克白這齣戲要告訴我們的道理--邪不勝正，在劇中，馬克白及其夫人的恐懼其實是來自於害怕正義的到來，雖然整齣戲大多籠罩在血腥、背叛、及恐怖的氛圍中，但馬克白終究自食惡果，無論他怎麼抗拒光明、正義的到來，他還是要離開那自我封閉的黑暗，因為「邪不勝正」，也就是不論陰雨、黑暗多久，太陽一定會出來，本論文在劇中找到諸多證據，顯示這個莎士比亞所隱藏在劇中的道理。