NHK news English的問題，透過圖書和論文來找解法和答案更準確安心。 我們找到下列各種有用的問答集和懶人包

把你的詞彙用起來

為了解決NHK news English的問題，作者伍君儀 這樣論述：

如果你從來不曾讀過一本英文原著，那麼你將永遠不會發現： 原來很多英文老師根本沒有讀過幾本英文原著，而他們講授的教材和海量的英文原著相比，只是杯水車薪。 原來讀英文原著並非詞彙過萬的英語大神的專利，即使詞彙量只有5000，你依然可以暢享英文原著帶來的樂趣。 原來絞盡腦汁嘗試的各種背單詞APP和教材都無法調動起自己背單詞的積極性，而自從翻開英文原著，你的詞彙量開始飆升…… 但是，又該如何改變自己數次攻克英文原著卻屢戰屢敗的現狀呢？ 在伍君儀著的《把你的詞彙用起來》這本書中，曾經靠閱讀英文原著順利實現英語水準逆襲的北大才子伍君儀提供了一套循序漸進、科學系統又詳實精細的英文

原著閱讀方案，讓你擺脫不敢觸碰英文原著、一翻開英文原著就疲于查生詞而感受不到閱讀快感的窘境，輕鬆從英語小白進擊成讀原著上癮的高手。不僅如此，你還將學會如何不去英語角就能建立起自己的口語對話圈、如何足不出戶就能為自己營造出全息化的英語使用環境，如何讓英語成為一種能切實提高自己生活品質的工具而非僅僅是考卷上出現的題目…… 打開廣闊豐饒的英語世界之門，從這本書開始。

NHK news English進入發燒排行的影片

聯合國經社文公約工作權保障研究─兼論日台外籍勞工工作條件保障─

為了解決NHK news English的問題，作者王榮福 這樣論述：

工作權的保障並非三言兩語即可概括之，從19世紀社會主義興盛後，逐漸受到重視，亦由自由權逐漸發展出社會權的概念，逐步使人權保障更加完善，使勞工獲得除自由權之外的保障。1966年12月16日第21屆聯合國大會決議通過《經濟、社會及文化權利國際公約》（International Covenant on Economic, Social and Cultural Rights，ICESCR），此一公約於1976年1月3日起生效，全世界已有171個國家簽屬加入，乃社會權保障上極為重要之公約。本論文係以《經社文公約》第6條、第7條為主軸，透過研究條文與一般性意見（General Comment）了解工作

權與工作條件之保障，並以此標準檢視日本與台灣在工作權與工作條件方面是否有遵照《經社文公約》之規範，並遵守「不歧視原則」使外籍勞工亦享有相同之權利。再者，日本與台灣是否依《經社文公約》第16條、第17條之規定遞交政府報告書。結論發現，日本與台灣皆未重視聯合國經社文委員會（COMMITTEE ON ECONOMIC, SOCIAL AND CULTURAL RIGHTS）所提出之結論性意見與建議，造成相同問題不斷重複發生；日本與台灣應更加重視民眾與非政府組織所提交之反論報告書（NGO counterargument report），增加民眾與政府對話之手段、增加民眾對於「人權」的關心等；對於「技能

實習生、外籍勞工」之工作權與工作條件方面應給予基本人權保障，並有效落實稽查體制；《勞動事件法》應增加適用範圍，包含安全衛生工作環境、平等升遷、外籍勞工轉換雇主、休假取得困難等可能違反《經社文公約》第6條與第7條之相關保障，保障快速、省時、省力、全面之權利救濟。

Are You an Echo?: The Lost Poetry of Misuzu Kaneko

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為了解決NHK news English的問題，作者Kaneko, Misuzu/ Hajiri, Toshikado (ILT)/ Jacobson, David (CON)/ 這樣論述：

2017 NCTE Notable Poetry BookFreeman Book Awards, honorable mentionWashington State Book Awards, finalistBooklist Editors' Choice, Books for Youth 2016Booklist Top 10 Biographies for Youth and Top 10 Translated Books for Youth: 2017Favorite Diverse Children's Books of 2016, Smithsonian Book DragonIn

early-1900s Japan, Misuzu Kaneko grows from precocious bookworm to instantly-beloved children's poet. But her life ends prematurely, and Misuzu's work is forgotten. Decades later her poems are rediscovered--just in time to touch a new generation devastated by the tsunami of 2011. This picture book

features Misuzu's life story plus a trove of her poetry in English and the original Japanese.Big Catch: At sunrise, glorious sunriseit's a big catch A big catch of sardines On the beach, it's like a festivalbut in the sea, they will hold funeralsfor the tens of thousands dead. Misuzu Kaneko was

born in 1903 in Senzaki, Japan. She rose to fame as a celebrated author of children’s poems. After her death, her poems fell into obscurity for decades, until the 1970s when Setsuo Yazaki discovered and published her full body of work in Japanese. This is the first English-language biography and col

lection of her poetry to be distributed in English.David Jacobson has a BA in East Asian Studies from Yale University and an MBA from NYU. In 1984-5 he attended the Inter-University Center for the Study of the Japanese Language (the ＂Stanford Center＂). From 1987-9 he received a Mombusho scholarship

to study at Hitotsubashi University. His news articles and TV scripts have been published widely in print, online, and broadcast media in the US and Japan, appearing in the Associated Press, The Washington Post, The Seattle Times, The Japan Times, and on NHK and CNN. He lives in Seattle, Washington.

Sally Ito holds a BFA in Creative Writing from the University of British Columbia and an MA in English from the University of Alberta. She received a Mombusho scholarship to study at Waseda University, where she worked on literary translations of modern and contemporary Japanese poetry. She has taug

ht writing at several universities and has reviewed children’s books for the Paper Tigers blog. She is the author of several volumes of poetry, including Alert to Glory, and her 1998 story collection Floating Shore won the Writers Guild of AB Book Award. She lives in Winnipeg, Canada.Toshikado Hajir

i is a graphic artist and illustrator in Tokushima, Japan. After graduating from Ritsumeikan University in international relations and working at a trading company, in 2009 he decided to pursue his love for painting full-time by becoming an illustrator. His work has appeared in school textbooks, adv

ertisements, calendars, and in several children’s picture books. He was awarded 2nd prize in the 2006 International Illustration Competition sponsored by the Japan Illustrators’ Association. His illustrations for Are You an Echo? will be his first for international publication.Michiko Tsuboi is a gr

aduate of Doshisha Women’s College where she majored in English literature. She also attended the University of Alberta in Edmonton where she studied and read Canadian literature in English. She has worked professionally as a translator and English teacher in Shiga, Japan for many years.

Google翻譯與簡明華語之初探：以越華語為例

為了解決NHK news English的問題，作者陳朝鈞 這樣論述：

簡明語言運動在國外已推動多年，簡明語言的出發點為平權，即為語言弱勢者的平權。語言弱勢者不只是非母語者，還包括母語人士，例如小學生、半文盲者、閱讀障礙者、智能障礙者及失智症患者等等。國外的維權人士認為政府機構有義務提供無障礙資訊給一般民眾，而語言弱勢族群同樣也應該享有獨立自主決定的權利，延伸而來的便是有權利能夠接收到易於理解的正確訊息。有鑑於華語尚未發展簡明華語，而台灣近年來對語言的平權也開始重視，甚至已於2019年頒布實施「國家語言發展法」。在台灣不論是政府或ㄧ般民眾都有共識以先進福利國家為發展目標。國外的先進福利國家針對語言的平權投注的資源是以國家的層級來推動，且不僅是像台灣以轉型正義的視

角為出發點，甚至是以少數語言弱勢族群的立場來思考，以平權為目標。因此契機，筆者希望能夠驗證簡明台灣華語對於語言弱勢族群來說是否真的是較易於了解，所以筆者試著以初步理解的簡明語言原則來改寫，並以Google翻譯文本作為對照組來進行比較實驗。筆者以公視新聞的內容做為文本，設計閱讀測驗問卷來執行本實驗。以學習華語兩年內的越南籍同學為目標，確認測驗成績。結果不論Google譯文或簡明華語相對源文來說在測驗成績上並無明顯的差異。這一方面可以說明Google的越南語譯文，在傳達訊息上似乎與源文有相似的效果，而另一方面也顯示簡明華語的譯文與源文相較並不能顯現較易於理解的趨勢。深究原因可能為本實驗所做的簡明華

語，其譯文未針對學習者B1以下的文法理解做相對應的修正，許多字彙也未標示其分級，另許多參與本實驗的受測者華語程度為初級，未達明瞭簡明華語之程度。這都有賴我們再深入研究探討。而Google的越南語譯文與源文有相似的效果的部分，也讓我們思考機器翻譯後編譯的可行性。