Greatest pianist的問題，透過圖書和論文來找解法和答案更準確安心。 我們找到下列各種有用的問答集和懶人包

Beethoven Variations: Poems on a Life

為了解決Greatest pianist的問題，作者Padel, Ruth 這樣論述：

A fascinating poetic journey into the mind and heart of a musical genius, from the author of the best-selling Darwin: A Life in PoemsRuth Padel's new sequence of poems, in four movements, is a personal voyage through the life and legend of one of the world's greatest composers. She uncovers the man

behind the music, charting his private thoughts and feelings through letters, diaries, sketchbooks, and the conversation books he used as his hearing declined. She gives us Beethoven as a battered four-year-old, weeping at the clavier; the young virtuoso pianist agonized by his encroaching deafness;

the passionate, heartbroken lover; the clumsy eccentric making coffee with exactly sixty beans. Padel's quest takes her into the heart of Europe and back to her own musical childhood: her great-grandfather, who studied in Leipzig with a pupil of Beethoven's, became a concert pianist before migratin

g to Britain; her parents met making music; and Padel grew up playing the viola, Beethoven's instrument as a child. Her book is a poet and string-player's intimate connection across the centuries with an artist who, though increasingly isolated, ended even his most harrowing works on a note of hope.

RUTH PADEL has written twelve collections of poetry, including the bestselling Darwin: A Life in Poems. She was the first Resident Writer at the Royal Opera House Covent Garden, and the first money she earned--five pounds--was as a student playing viola in Westminster Abbey. She is a Fellow of th

e Royal Society of Literature and Professor of Poetry at King’s College London.

Greatest pianist進入發燒排行的影片

巴爾托克《羅馬尼亞舞曲，Sz. 56》 之分析

為了解決Greatest pianist的問題，作者方青雯 這樣論述：

摘 要 貝拉．巴爾托克(Béla Bartók, 1881-1945)是二十世紀匈牙利重要的作曲家，他在音樂史上最大的成就是他發掘、採集並大量保存匈牙利民間音樂。他的音樂作品相當具有特色，有他獨特的個人風格與色彩，巴爾托克除了是鋼琴家、民族音樂學家、音樂教育家，更是一位有特色的作曲家，終其一生為了民歌的採集付出他幾乎全部的心力。有人認為巴爾托克的偉大之處在於他運用了民間音樂，但事實上則是因為他的作品，使得大量的民歌得以留存於世。筆者研究巴爾托克的《羅馬尼亞民間舞曲，Sz. 56》 (Romanian Flok Dances, Sz. 56)是他下鄉民歌採集後，所創作的鋼琴作品除了鋼琴

版本外，此曲也被作曲家本人改編為管弦樂編制，此套作品深受音樂學習者的喜愛。本論文共分為四章，第一章緒論，說明筆者研究《羅馬尼亞民間舞曲，Sz. 56》的動機、研究目的、研究方法；第二章簡述巴爾托克的生平並了解其生長背景、經歷及探討巴爾托克創作之分期及音樂風格；第三章融合前述特色來分析《羅馬尼亞民間舞曲，Sz. 56》的創作背景和樂曲分析；第四章對於本研究作品做出結論。

Nobody’’s Looking at You: Essays

為了解決Greatest pianist的問題，作者Malcolm, Janet 這樣論述：

A New York Times Book Review Editors' Choice. A 2019 NPR Staff Pick."Malcolm is always worth reading; it can be instructive to see how much satisfying craft she brings to even the most trivial article." --Phillip Lopate, TLSJanet Malcolm's previous collection, Forty-One False Starts: Essays on Artis

ts and Writers, was "unmistakably the work of a master" (The New York Times Book Review). Like Forty-One False Starts, Nobody's Looking at You brings together previously uncompiled pieces, mainly from The New Yorker and The New York Review of Books.The title piece of this wonderfully eclectic collec

tion is a profile of the fashion designer Eileen Fisher, whose mother often said to her, "Nobody's looking at you." But in every piece in this volume, Malcolm looks closely and with impunity at a broad range of subjects, from Donald Trump's TV nemesis Rachel Maddow, to the stiletto-heel-wearing pian

ist Yuju Wang, to "the big-league game" of Supreme Court confirmation hearings. In an essay called "Socks," the Pevears are seen as the "sort of asteroid that] has hit the safe world of Russian Literature in English translation," and in "Dreams and Anna Karenina," the focus is Tolstoy, "one of lite

rature's greatest masters of manipulative techniques." Nobody's Looking at You concludes with "Pandora's Click," a brief, cautionary piece about e-mail etiquette that was written in the early two thousands, and that reverberates--albeit painfully--to this day. Janet Malcolm is the author of many b

ooks, including In the Freud Archives; The Journalist and the Murderer; Two Lives: Alice and Gertrude, which won the 2008 PEN/Jacqueline Bograd Weld Award for Biography; and Forty-One False Starts, which was a finalist for the 2013 National Book Critics Circle Award for Criticism. She is a frequent

contributor to The New Yorker and The New York Review of Books. In 2017, Malcolm received the Gold Medal for Belles Lettres and Criticism from the American Academy of Arts and Letters.

布拉姆斯《四首敘事曲》作品十 之樂曲分析與演奏詮釋

為了解決Greatest pianist的問題，作者彭慧賢 這樣論述：

約翰尼斯‧布拉姆斯 (Johannes Brahms, 1833-1897) 為浪漫時期的德國作曲家、鋼琴家與指揮家，亦為古典時期音樂的傳承者，成功地延續發展德奧音樂傳統。布拉姆斯於 1854 年創作《四首敘事曲》作品十 (Four Ballades, Op. 10)，此為早期鋼琴小品之一，其中第一首敘事曲使用民族敘事詩為題材，具有濃厚的民族風格。其作品融合古典時期的理性思維，與浪漫時期的豐富情感，表明早期音樂風格深受前輩音樂家們影響。本文首先陳述布拉姆斯的生平、其鋼琴作品與敘事曲之淵源，進而介紹布拉姆斯《四首敘事曲》作品十的創作背景，以及對各首樂曲中結構、和聲、旋律、節奏與其它創作手法進行

分析，最後再探討此部作品之演奏詮釋。由於《四首敘事曲》作品十具有高度技巧性，為使演奏詮釋上更臻完美，對各種技巧集中訓練為必要，因此本文將統整出作品的特殊技巧，並以布拉姆斯《五十一首練習曲》 (Fifty-One Exercises, WoO 6) 作為輔助練習教材，希望能讓演奏者更進一步詮釋布拉姆斯之演奏風格。